La Lutte Continue Radical Suncatcher
The Struggle Continues by Atelier Populaire (Popular Workshop)
The Atelier Populaire (People’s Workshop) was established on 14 May when a group of art students occupied the Ecole des Beaux Arts (School of Fine Arts) and decided to use their skills to create posters in support of the uprising. They agreed to maintain anonymity – as a rejection of the bourgeois cult of the artist and to reinforce the idea that art served the purpose of the revolution not the personal fame of the artists or the art market.
The first posters were lithographs – which is quite a time-consuming process, but a couple of silk screen printers lent them their equipment and taught them how to use it: how to cut stencils, use photography in the process, and clean the screens after use. They were soon able to knock out 2,000 posters a day.
Paper and inks came from striking newspapers and print shops. Posters were put up at night by Action Committees and distributed to striking workers to share on the pickets and in the occupied factories.
Workers and students came to the Atelier with ideas for poster designs and they would be discussed in the context of the day’s events in a General Assembly. Decisions were made based on their political value rather than aesthetic: was the political idea correct; and did the design communicate the idea well.
The Atelier was raided by the police on 27 June, but the artists were able to just walk out peacefully, carrying their equipment. For a while they continued creating posters. In the immediate aftermath of the raid, they produced a poster with the words: “La Police s’affiche aux Beaux Arts, Les Beaux Arts affichent dans la rue” (The police post themselves at the School of Fine Arts, the Fine Arts students poster the streets).
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The May 1968 Worker and Student Uprisings in Paris started as student protests and occupations against capitalism. The unrest grew into a mass movement and general strikes - including both official trade union strikes and wildcat actions - in reaction to police repression.
Barricades were erected and police assaults were countered with bricks and paving stones. At the height of the uprising, President De Gaulle fled to West Germany, fearing an imminent revolution.
The Government made a deal with the trade unions, increasing the minimum wage by 35% and increasing pay by 10%, providing better job protection and a shorter working day.
The National Assembly was closed down and a General Election was called, which De Gaulle won massively and the uprising tailed off.
The uprising inspired an explosion of revolutionary graffiti, inspired by Situationism (for example: "be realistic, demand the impossible"), and poster art. Mass produced simple one colour screen prints became symbolic of the uprising.
The Radical Poster Collective is dedicated to making good quality classic radical posters available at an affordable price.
Our designs are either digitally cleaned up to remove tears or stains etc, or completely recreated to be as close as possible to the original.
Our Radical Suncatchers are made of clear plastic, printed with increased colour intensity to create vibrant colours as daylight shines through.
The suncatchers are A5 size (approximately 148mm by 210mm), with a 10mm clear strip across the top.
The suncatcher comes with a plastic sucker to fix it to the window, leaving no residue if you decide to move it.
All of our suncatcher designs are also available as A3 posters.
Please note that there may be some variation in the colour of the on-screen image and the actual item received.
This is subject to the brightness and contrast of your screen settings etc.
All suncatchers are dispatched securely wrapped in tissue, in cardboard boxes to protect them.
For non-UK orders, any customs duties are to be paid by the buyer.
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